Thursday, 6 September 2018

The Real Skill All Writers Need: Patience

Many things in life seem to operate on the "hurry up and wait" principle but it applies to a lot of an author's career.  Hurry up and send the pitch and then wait patiently to hear from editors or agents.  Hurry up and promote and then wait to see if it helped readers to find your book.  Hurry up and write and then wait and go patiently through the editing process.


If I see one more teh...
When the story is still in an author's head, it can seem very easy.  When I begin, I feel like I can see the whole thing in my mind.  It's brilliant and amazing.

The challenge comes when I try to translate that interior vision onto the page.  What seems perfectly clear in my head turns out to be less clear when I need to capture it with words.  It takes patience to try out different ways of saying the same thing, trying subtle variations to find the right way to make the words disappear and then the story becomes real.

And it's not just the writing process.  All of the great authors are continually learning about their writing craft.  Which means reading widely and taking the time to break down how other authors convey meanings, emotions and impressions.  Recently, I read a story where a few short sentences created a horrific combination of vulnerability, denial, and terror as a predator grabbed their victim from behind.  It was an incredibly powerful impression that lingered with me for days afterwards.  

"She wasn't laughing when the screams started behind her, high and shrill and terrified, or when she felt the touch of a hand-oddly long and spindly, covered in a cool, clammy film, like aloe gel was smeared across the skin-on the back of her ankle. Elena stopped waving her arms. She closed her eyes. If she couldn't see it, it wouldn't be real. That was the way the world worked, wasn't it.  Her scream, when it came, was short and sharp and quickly ended." - from Mira Grant's Into The Drowning Deep

I've re-read that paragraph a half-dozen times since, trying to understand how the author created that effect.  Is it powerful because the only sensory description is done in relation to the monster's hand and the screams, making them stand out prominently in the reader's subconscious mind?  Is it the quick pacing, where the attack is over almost before the character realizes they're in trouble?  

It takes patience to try and understand the subtle differences that punctuation, word choice, and writing style can make.  It's a lot easier to just enjoy or dismiss and not think too much about why things work or why they don't.  It takes patience to work through a book (enjoyable or not) and learn from it.  It takes even more patience to apply those techniques to one's own writing and to see if they fit in an author's own voice.

Patience (and its counterpart, stubbornness) will get an author through a great deal of the challenges in this industry.  Got a brilliant story that doesn't quite fit the current market?  Have patience and watch the market for an opening.  Do you write slowly and could never do the publish a book every 90 days strategy?  Then be patient and develop your career more slowly.

Patience doesn't mean just passively waiting.  It means accepting your own pace and your own style and continuing in spite of any naysayers or pushes to do things differently.  It means accepting that you know yourself best and that there is not, and never has been, only one path to publishing success.



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Monday, 3 September 2018

Weekly Update: August 26 to September 1


Weekly word count: 4937

Friday was a busy day of visiting my son's new school and dealing with the paperwork.  Unfortunately, that meant I didn't get any writing done that day, but I'm reasonably happy with my weekly total.

I am very much looking forward to having the house to myself while both my kids are at school.  I'm hoping I can settle into a writing rhythm quickly.  In previous years, September has been pretty rocky but I'm in a more stable routine than usual right now.

I haven't heard anything further from the editors and agents I sent my manuscript to.  It's hard to be patient and not second guess what I've done.  That's the hard part about a career that ends up with a person living mainly in their own head.  It can be hard to get out of.



Thursday, 30 August 2018

Hidden Diamond: Lucy Farago, Search and Recover, and The Research Vortex

There are a lot of authors and books out there, so many that it can be hard for readers to find what they're looking to read.  So I want to share the gems hidden among the chaos.  Each month, I'll feature a new Hidden Diamond author.  If you want to know more, please join the mailing list and you won't miss the diamond you've been searching for.

This month, I'm proud to share a fellow ORWAn and a lady whose books have been on my Kindle since she first released: Lucy Farago, writer of thrilling romantic suspense with fast-paced action.  

I was there at the ORWA meeting where she brainstormed her most recent release: A Necessary Deception and I couldn't wait to read it.  A tech genius taking an analog vacation in an isolated Alaskan cabin, a wealthy socialite matchmaker on the run from the Russian mob and a keep-turning-to-the-last-page adventure.  And for those looking to start at the beginning, don't miss the first book in the Search and Recover series: A Necessary Lie with it's rodeo star secret investigator and a heroine determined to solve the mystery of her friend's death.

And now without further ado, I'll let Lucy tell you a little about her writing process.  Or rather, the other things she's doing on her computer while she's writing.


The Never-Ending Research Vortex

Research, it’s a wonderful thing…until you’re sucked into a vortex of never-ending information that has little, ifanything, to do with your book. Ah, those pesky traps, cleverly hidden within the matrix of google. I once lost two weeks of my life gathering information on how to allow my inexperienced heroine the ability to handle an explosive without killing herself. I succeeded, but in case you’re bored and want to amuse yourself, try “How to blow up a tree with Tannerite!!”? Yup, not one, but two exclamation marks. Or “Blowing up trees with Dynamite!!”. What is it with back-wood rednecks and their enthusiasm for tree carnage?


If you tire of watching harmless trees being reduced to matchsticks, there’s always the irresistible one-click to the sidebar video on “Glow Sticks in the Microwave”. It’s something a mature adult shouldn’t need to know, but what does happen when you stash those leftover concert goodies in a microwave and hit them with small doses of radiation? In case you were curious, they glow brighter…until they explode. Then there’s the “Legos, are they bullet proof?” Hmmm…no, no they are not. This same dude shot his truck with a tank. Dare I say someone has too much time on their hands? The truth could be said about me, because do I really want to know if my microwave can kill me? Apparently, I do, because I squandered even more time with my new best friend, ‘the internet’.

Why am I wasting time on you-tube and google instead of finishing the darn book you ask? Good question. First, I can say with the utmost certainty, I am not alone in the research time-suck dance. Many of us spend an afternoon learning facts we’ll never make use of, other than to exchange stories on how we wasted an entire afternoon learning facts we’ll never make use of. So why do it? I can’t speak for anyone else, although I believe some share my dilemma.

For me, it’s not having a clear understanding of where my story is heading.  I write romantic suspense. This means I’m plotting two intertwined stories. I can visualize the romance. But if I don’t, it tends to flow more naturally than my creating ways to hide clues or keeping my readers guessing as to whodunit. And I want to leave my readers guessing. It’s not until I’m three quarters of the way through the book that I get that ‘ah-ha’ moment. All this leaves me frustrated and I find ways to distract myself from the real task at hand. It can be very unproductive. On the flip side I can tell you exactly how much C-4 you need to blow up a tree. Find me on Facebook and I’ll give you the what-up.

- Lucy Farago

An Author Interview with Lucy Farago

What is the craziest thing you've done to research a book?

I wouldn’t say crazy as imprudent. I once asked a TSA guy if I’d be able to pack a severed head in my luggage without it being detected. I guess I should have started with “Hi, my name is Lucy and I’m a writer” but that didn’t sound like any fun. I also asked a couple of Boston cops on July 4, if a civilian could gain access to a murder scene. I didn’t miss how one officer’s hand went to his handcuffs. They were chatting once I explained who I was, but his hand never left the handcuffs.

What is your writing process?

I was a pantser. But to write romantic suspense you have to be a plotter, especially if you’re writing to a deadline. It's much easier and it's less likely I’ll get stuck on a plot point. Plus if you have someone who'll read your synopsis, you'll be able to fix anything that doesn’t work.

What is your favourite thing to do to relax?

I bake. I also bake when I’m stuck. My neighbours all know when I’m struggling. They are the recipients of my blocked muse. I enjoy television. It keeps me current and as a writer, you need to stay current. 

Who is your favourite fictional crush?

Mr. Darcy of course. I’m more in love with the character than Collin Firth. Although I’m team Firth all the way. It’s not that he’s the all-time best hero, it’s more the romantic character he represents. Rich man, poorer girl, wrong side of the tracks trope. Plus he’s pretty much the first romantic hero in history. And I love history.

And finally, in the spirit of the great Joss Whedon debate, who would win: cavemen or astronauts?

I always found this debate interesting. What environment are we sticking them in? I get the whole instinct vs evolved debate, but playing field I think is more important. Put them in the wilds with no unfair advantage, cavemen. I’m with Spike, man has evolved to the point that most people wouldn’t survive a day without assistance.


Thank you to Lucy for being my inaugural Hidden Diamond and for those who want their very own copies of her books, you can find them at the following stores:








Come back on September 27th to discover the next Hidden Diamond.  
Or join the mailing list and have the perfect gems for you sent right to your mailbox.



Monday, 27 August 2018

Weekly Update: August 19 to 25


Weekly word count: 5170

For the first time in a long while, I feel like I'm in a good groove for writing.  I'm not pushing myself at a frenetic pace and I'm also making good progress.  This week I was able to do a thousand words for four out of the five days.  I'm going to keep on with that as a goal for the next little while but then I'd like to see if I can increase it to 1500 a day.  It would be really awesome if I could do 2000 a day, but I'm not sure if I have the writing time and energy for that.

The bad news is that I may not have the updated versions of the Spirit Sight short stories or the new one ready before Halloween, which is a little disappointing but that's how life works sometimes.

I'm debating whether or not I'll do another holiday short story this year.  It was fun doing one last year but I don't have any ideas jumping out at me.

Other than that, life is all about getting things ready for back to school after Labour Day.  I'm looking forward to getting back into a solid routine where both kids are occupied on a predictable schedule.  I've enjoyed having them home for the summer but I'm ready to have the house to myself again.




Thursday, 23 August 2018

Finding New Authors In Today's Market

I'm a lifelong voracious reader and I know I'm not alone when I say that there is nothing more frustrating than not having something new to read.  There are times that I look around at my shelves and I'm up to date in all the series I'm following and I've already read everything a half dozen times, and my brain is craving new characters, new stories and new approaches.


The challenge is finding new stories that I will enjoy.  There are a few techniques that I use.  I have friends who are also voracious readers and they give me recommendations.  I sometimes try random authors and books (usually through the library or by browsing sales).  But it can be disheartening, weeding through the stuff I don't enjoy to find the real gems among the ordinary stones.

I read quickly and a "bad" story will likely only cost me a few days.  For those who don't read quickly, it can be a huge deal to have the next two or three weeks (or months) devoted to a story they aren't sure they'd enjoy.  But everything seems to be so crowded these days, and authors can end up drowning each other out in their efforts to catch readers' attention.  And readers can get overwhelmed and tune out in self-preservation.

I've decided to start up a new monthly feature: Hidden Diamonds.  There are some amazing authors out there and each month, I'll share one of them with readers.  I'm hoping that readers will be willing to give these authors a chance and that authors will have an opportunity to connect with readers.  I'll be looking for great authors in speculative fiction and romance who write amazing characters and stories.

Hidden Diamonds will be on the last Thursday of every month.  If you know an author who you think would be a great diamond to share with the world, then please let me know at jclewis@pastthemirror.com.  

Happy reading!


Monday, 20 August 2018

Weekly Update: August 12 to 18

Weekly word count: 2945

This week I relearned something important about myself.  I came pretty close to burnout this spring and summer and so once RWA was done, I was trying to be extra careful with myself.  I gave myself permission to write at a pace that felt more natural to me.  It's a good strategy and one that I need to embrace more as I often find myself pushed beyond my limits by my own perfectionism and unwillingness to admit there's a problem.

However, as much as I feel it was important to give myself time to recover, there is also the reality of maintaining my business as a writer.  And the reality is that the rest of my life is hectic and stressful enough that it will always feel better to sit and veg in front of the TV and do cross-stitch instead of sitting at the keyboard and creating stories.

So I need to push myself, but not push myself too hard.  It would be simple if there was only one piece of advice that a person needed to follow but the truth is that everyone has to find the balance point that works for them.  Everyone has a sweet spot between pushing and self-care, between listening to their mind and body and ignoring their inner fears.  And to make it even more challenging, that sweet spot will change depending on circumstances so even if a person has found it before, it doesn't mean that spot will continue to work for them in the future.

This is one of the reasons why I get frustrated with cookie cutter writing advice like "write every day" and "push through writer's block."  The intent is to keep people from giving up which is good but it ignores the reality that some people are already pushing past the point of healthiness and what they need to do is slow down and take care of themselves, not keep pushing.

Starting next week, I'm going to go back to the weekly writing grid to share my progress.  I hate having to record blank spots during the week so hopefully I'll be more motivated to sit down and write.  I'm going to continue giving myself the weekend off, aiming to write every day from Monday to Friday, with a word goal of 800 to 1500 for each day.  I think that's a sustainable goal and it will let me keep making progress on the third Spirit Sight short story (which I really need to find a title for but so far none seem right).

The plot for book 5, Division, is coming along nicely.  I've got some really good moments set up for the major plot points and I really like how the character of Annika is developing in my head.


Thursday, 16 August 2018

Reconciling Rescue Fantasies and Feminism

For those who read this blog regularly, it's no secret that I love kickass heroines who are strong and take no crap.  I love reading about them because it counteracts the messages that women often get that they need to be quiet, unassuming and not cause trouble.  And because they're just fun and it's fun to fantasize about taking on any problem with amazing powers and a witty quip.

But as much as I enjoy my take-no-prisoners heroines, I also enjoy a good rescue fantasy.  There is something incredibly appealing about a hero who is willing to rip the world apart with his bare hands to rescue the person he loves.  However, it does leave me with something of an internal conflict.  Shouldn't a kickass heroine be able to rescue herself?


I believe that it's important to encourage women to see themselves as the powerful and strong individuals that they are.  They shouldn't be encouraged to wait for rescue like an old fashioned fairy tale princess.  Instead they should be encouraged to believe they can take on their challenges themselves and rescue themselves.  That belief runs counter to the idea of a rescuing hero fantasy and it meant that every time I enjoyed one, I wondered if I was celebrating something that was actually encouraging women to be passive and less than they could be.

Lately, I've wondered if I've been mistaken and allowed myself to get trapped into either/or, black/white thinking.  

The rescue fantasy isn't about celebrating passiveness, it's about recognizing that no matter how powerful, competent or kickass someone is, life can have a way of dealing out more than that person can handle.  And it's taken me a depressingly long time to figure this out, but no one should have to go through life alone.

Partners come in all shapes and sizes and commitment levels.  Some partners will do anything to help the person that they love and others find it a challenge to do little things like take out the garbage before it gets picked up.  A lot of women are dealing with overwhelming situations, trying to balance work and family, trying to take care of both children and parents, trying to make money stretch, and dozens of other difficult scenarios.  And quite often, they're doing it without a lot of support from their partners or society in general.

Is it any surprise then that the idea of being helped can resonate so strongly with women?  The rescue fantasy is about someone who will do anything to help the person that they love.  They will risk injury and death, throwing aside everything else that has ever mattered to them because their highest priority is the health and happiness of their beloved.  It's not a farfetched assumption to believe that a person who is willing to charge through a hail of bullets would also be willing to put their glass in the dishwasher instead of beside the sink when asked.  

I still think it's important to encourage women to think of themselves as heroines and able to rescue themselves, but I also think they should be encouraged to believe they deserve a partner who will put them above all else and who will do what it takes to make sure they are happy and fulfilled.  So, for now, I'm comfortable with putting both the kickass heroine and the rescue fantasy on my shelf and not feeling guilty about either.


If you want to read about my kickass heroines and the men who would do anything for them, you can give Book One of my Lalassu series a try for less than the price of a cup of coffee.

Previous blog post: Heroine Fix: Be Anyone You Want to Be, a look at Aech and Art3mis from Ready Player One.

And for updates on my writing and life, check out my blog homepage.